Oscar nominations will be announced on January 22. We’re counting down to the big day by tackling some tough questions and spouting some mad opinions. The final topic: What is your biggest hope for the nominations?

John: Give Jenkins the Recognition He Deserves

I loved me some Richard Jenkins in The Visitor. He did so much with a fairly restrained character without ever seeming one-note or bland. The film loses a bit when it meanders to other topics and characters, but when Jenkins is on the screen it shines. His journey from detached and solitary to a man reengaging with society is entirely engrossing. He’s never showy and he nails his character’s awkwardness and slow gain in confidence. I said last year that I loved Casey Affleck in Assassination of Jesse James for making his character absolutely perfect. It’s a sentiment I extend to Richard Jenkins. Of course that’s partly a writing triumph, but a great performance is what makes it transcend into something very special. I hope voters dig far into their screener pile to find this film released months ago. At this point Jenkins is very much on the bubble and it could go either way. If his name is announced tomorrow I will be very happy.

Brian: Don’t Forget Sarah Marshall

Any love for Forgetting Sarah Marshall. A screenplay is all I really ask for, but a best song nomination wouldn’t be out of the question. Goofy, charming, and sentimental — I’m consistently surprised by the staying power of that film on my Top 5 list.

Adam: Living and Dying With Dark Knight and In Bruges

If anyone is reading this blog at all they would have recognized my love for The Dark Knight and In Bruges (in fact, I saw In Bruges for the second time the other day and it definitely held up). I would love to see TDK sweep the nomination categories as well as the awards. And, it would be nice to see In Bruges get credit for its screenplay, art direction, cinematography, and supporting acting. The art direction & cinematography nods were added to my wish list after the second viewing. The choice of locations, camera angles, and shots are actually very well done. They enhance the story and feel of the movie so subtly that you might not even notice it the first time around, but their effects can not be overstated. I also (and I can’t believe I’m saying this) agree with Brian. A nod to Forgetting Sarah Marshall would be a nice addition to screenplay and song – but I won’t hold out hope.

Jared: Just a Genuine Surprise Would be Nice

Sure, I’m rooting for some long shots to receive nominations (some of which are probably obvious, none of which I’ll be so foolish as to jinx). Most years I’d be hoping not to see certain people get nominated, but I think the only film even sniffing the Oscars that I actively disliked this go round was Synecdoche, NY (with the caveat I’ve maybe three or four movies left to see). But my biggest wish for the Oscar nominations is for my picks to be pretty wrong and to see a good amount of surprises. Part of that desire, to be sure, is the selfish wish for some added excitement to this relatively mundane Oscar season. But I also think there are many nominees who seem to be in the mix just because everyone is resigned to the fact that they should be nominees. I’d love to see some wild cards in there, some picks which really excited people. Sure, preferably they’d be nominees I’d be excited about as well, but if Synecdoche sneaks into the screenplay category and I can bash it for a few weeks, that’d be OK.

That’s it from us. Here’s hoping for some happy Grouches tomorrow morning!

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