Oscar nominations will be announced on February 2. We’re counting down to the big day by offering some hard-hitting analysis and incisive opinions on the toughest questions surrounding the nominees. No claims the Academy is perfect.  But sometimes they seem to refuse to consider certain films or performances, which can be terribly infuriating. If you ruled the Academy, what would you decree to get a nomination?

***SPECIAL NOTE***
We exempted one film from this discussion. Look for our thoughts on that movie in the coming days.

Brian: Maybe The Film Would Do Better If It Had A Name

I write this without seeing any of the other nominated foreign films, but if I could pick a film to get some overdue recognition, it’d be Sin Nombre, a thrilling, engaging, and beautifully shot film that handles the dicey subjects of illegal immigration and the spread of MS-13 with grace. Critically, it was adored by most when it came out last spring, but it seems to have faltered pretty fast this Oscar season. I’m disappointed — there are parts of the movie that still stick with me and it’s been nearly a year since I saw it. Based on the trailers I’ve seen for the nominated foreign films, this looks much more accessible to American audiences and falls far from the cliched tropes of the dreaded “foreign film” with subtitles. Truly great and deserving of recognition.

Jared: Move the Oscars to Summer

Oscar actually isn’t doing a terrible job this year.  As always, comedy gets shafted in the Best Picture race.  My ideal nominee list would likely include The Hangover, (500) Days of Summer, I Love You, Man, and as much as it pains me to agree with John, In the Loop.  One of my pet films this year is an obscure movie called Blind Date. I’ll be talking about it more later on, but I think Stanley Tucci and Patricia Clarkson’s performances should have been in the discussion this year.  Fudging things a little bit, if I only had control of one thing, I’d advocate for the acting in (500) Days of Summer.  I imagine Joseph Gordon-Levitt and Zooey Deschanel faced the double disadvantage of not being in a drama and not “paying their dues,” but their work absolutely contributed to the magic of the film, and it makes me sad that they were barely considered.

John: Best Loop-de-loop

I have a couple ideas of what omnipotent John would do with the Oscar nomination and damned if it isn’t hard to pick. The Informant! could be put in Best Picture or Matt Damon in Best Actor. But I’m going to go with a film I loved even more, In the Loop, for Best Picture. This is an exquisitely written film, packed to the gill with jokes and spot-on as a satire. I don’t think a plot point or performance goes wrong. If there’s any recent film that I can say, “we need more films like this!” it’s In the Loop. It won’t get the recognition it deserves without me breaking into PricewaterhouseCoopers and messing with the ballots. Which is too bad because more people should check it out.

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