[ed. note: Apologies for the delay in posting this QotW.  My computer’s hard drive crashed last week (for the second time this year), so our responses may be slightly out of date.  This question went out before TIFF and Venice.  Hopefully we’ll get back on schedule soon.]

This week’s installment: What yet-to-be-released potential Oscar contender or contenders are you most looking forward to seeing?

John

I had been getting excited for this fall, but when I went to check the list of suspected contenders at the usual awards sites, well, yikes. I mean, did you know there’s a period piece this winter about King George IV’s speech impediment and how he overcame it? Lord.

For now the prognosticators can play it safe with the likes of Danny Boyle’s 127 Hours. (How do you go from pulsating Mumbai to a whole movie where a guy is just stuck under a rock? It sounds like a snoozefest.) But as time goes on some of these pictures that have awards season written all over them will fall by the wayside and some interesting stuff will take their places. Meanwhile, the one I’m most looking forward to is Black Swan. Darren Aronofsky has a terrific track record and this one is a psychological thriller with Natalie Portman and Mila Kunis. Okay, so it’s set in the world of ballet, but otherwise it couldn’t sound more exciting.

I’m also looking forward to True Grit. An interesting string of westerns have come out in recent years and the Coens’ take on any genre is something to anticipate. I can totally see Jeff Bridges and Josh Brolin in a western, but I’m interested to see what Matt Damon will do.

Finally, I have Another Year and Blue Valentine pegged as this year’s films I will love that the rest of the Grouches hate.

Jared

In case anyone out there would like a summary of the very rough Oscar picture, I though In Contention did a nice job recently.

I dunno, John.  Sure, The King’s Speech is Oscar-baity as all get out.  But it was directed by the guy who did The Damned United and features a pretty fun cast, including Colin Firth in the lead.

You definitely stole one from me, though.  Sure, Portman and Kunis are ridiculously attractive, but I tend to have extremely visceral reactions to Aronofsky’s work (well, The Wrestler was a little more muted, I suppose).  Similarly, the pairing of Knightley and Mulligan has me intrigued for Never Let Me Go.

There’s also a few films being bandied about now for the Oscar race that I’m not yet convinced will make an impact.  If The Tourist actually makes a play, you are looking at a film with Jolie, Depp, and Paul Bettany directed by the guy who did The Lives of Others and written by guys who wrote Gosford Park, The Young Victoria, The Day After Tomorrow, and The Usual Suspects.  And you may have recently seen the trailer for Love and Other Drugs.  I haven’t loved the few Ed Zwick movies I’ve seen, but I was completely sold on the trailer.

But if I had to name one film, it’d be The Social Network.  In Jesse Eisenberg, it has the star of my favorite 2009 film.  Rooney Mara seems on the verge of a breakout.  While I haven’t loved David Fincher’s films, I’ve certainly liked them.  Plus he did the video for Englishman in New York!  But, of course, the main reason I’m most looking forward to the film is because it was written by Aaron Sorkin.

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