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Oscar nominations on the 10th!  Yay!  I’m taking a look at the state of the race, because…uh…tradition.  This time: Actor.

VIRTUAL LOCK

  • Daniel Day-Lewis, Lincoln

Ladies and gentlemen, your lockiest lock.  Day-Lewis has noms for In the Name of the Father and Gangs of New York along with wins for My Left Foot and There Will Be Blood.  No one needs me to say anything more about him or his performance.

GOOD BET

  • Denzel Washington, Flight
  • Hugh Jackman, Les Miserables

Sure, Denzel’s character isn’t necessarily as much a stretch for him as some would have you to believe.  That doesn’t make him any less good.  He’s got noms for Cry FreedomMalcolm X, and The Hurricane, and wins for Glory and Training Day.  If Hugh Jackman is shaky here, it is only because Les Miserables wasn’t the unanimous success some expected it to be.  And because Tom Hooper screwed over his non-Anne Hathaway actors.  Jackman has no Oscar nominations to his name.  Fun fact, though.  His Golden Globe nomination this year was his second.  Any guesses as to which film led to his first?  Obviously, it was Kate & Leopold.  Never change, Globes.

LIKELY IN

  • Bradley Cooper, Silver Linings Playbook
  • John Hawkes, The Sessions

I’m certainly not claiming this category is set in stone, but the above five gentlemen have hit all of the major precursors (Globes, Critics Choice, and most importantly SAG), so you’d have to bet on them.  Bradley Cooper took some Tropic Thunder advice and didn’t go full retard, which should be Oscar catnip, especially if they take to the rest of the film, as it seems like they will.  I realize this is going to make me sound (even more) like an idiot, but it is only while writing this up that I’m realizing the import of Hawkes not being able to move for his performance.  Full body movement is so vital to the other four actors mentioned above, making Hawkes’s performance that much more impressive.  With a prior nomination for Winter’s Bone, if he misses, it is because not enough people saw the film.  Or an insufficient Oscar campaign, I guess.

ON THE BUBBLE

  • Joaquin Phoenix, The Master

Still haven’t seen this one.  The Master‘s buzz has fallen faster than perhaps any other contender this year, and Phoenix missing the SAG was tough.  But Phoenix has two prior nominations (Gladiator and Walk the Line), the film has been out long enough for people to have seen it, and there are a sizable number of fervent Paul Thomas Anderson fans.

DARK HORSES

  • Richard Gere, Arbitrage
  • Jean-Louis Trintignant, Amour
  • Anthony Hopkins, Hitchcock
  • Jamie Foxx, Django Unchained

Gere was pretty decent, and it is the type of role you would think could get him a nomination, I’m just not sure he has enough showy scenes.  Though word on the street is that there is growing support for him.  Pretty impossible to get any sort of read on Amour, and Riva has been generating more buzz than Trinignant.  But my understanding is that if you are for one, you are probably for both of them.  Sure seemed like all the stars were aligned for an Anthony Hopkins nominations.  But the movie is entirely inessential and he is content to let Hitchcock’s girth do all the acting.  I’m kind of surprised there hasn’t been more buzz for Jamie Foxx.  He’s quite good in the movie and has a nomination for Collateral and a win for Ray.

SHOULD HAVE BEEN CONSIDERED

  • Channing Tatum, everything
  • Logan Lerman, The Perks of Being a Wallflower
  • Liam Neeson, The Grey
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Oscar nominations are out on the 10th!  I’m taking a look at the state of the race in the eight major categories.  This time: Original Screenplay.

VIRTUAL LOCK

GOOD BET

  • Wes Anderson and Roman Coppola, Moonrise Kingdom
  • Mark Boal, Zero Dark Thirty

Many are hailing Moonrise Kingdom as Wes Anderson’s finest work, that combined with a pretty decent box office seems to suggest he could get in here, a category in which Oscar has seen fit to recognize quirkier fare.  Zero Dark Thirty isn’t out here yet, so I can’t speak to it, but by most accounts it will be a deserving nominee.

LIKELY IN

  • Paul Thomas Anderson, The Master

Buzz has been waning, but the field here doesn’t have many scripts dominating the conversation.  I haven’t seen the movie yet, but it sounds like a film where the screenplay is memorable.

ON THE BUBBLE

  • John Gatins, Flight
  • Michael Haneke, Amour
  • Rian Johnson, Looper
  • Quentin Tarantino, Django Unchained

The WGA nod signals that there’s support for Flight, the question may be how many people remember to credit the script for the mesmerizing crash scene and Denzel’s performance.  Amour isn’t out here yet, but from afar seems like the stereotypical arthouse movie: foreign, not widely screened, boring as all get out.  Here’s hoping that last part isn’t true.  Now isn’t the place to discuss, but a Looper nomination wouldn’t make me very happy.  Still, it got the WGA nom, and Rian Johnson does have a distinctive voice.  It is pretty difficult to predict with any accuracy how many nominations Django Unchained will get, but if the Academy is feeling the love, Tarantino could get in here for a script that’s certainly distinctive.

DARK HORSES

  • Reid Carolin, Magic Mike
  • Ava DuVernay, Middle of Nowhere
  • Martin McDonagh, Seven Psychopaths

Carolin’s script feels pedestrian to me, but he’s got 100 million good reasons to call me an idiot.  If the voters are feeling indie, they could go with DuVernay, whose film many people say deserves a wider exposure.  I heart McDonagh, and his script was unique, but this one missed more than it should have.

SHOULD HAVE BEEN CONSIDERED

  • Max Landis, Chronicle
  • Seth MacFarlane, Alec Sulkin, and Wellesley Wild, Ted
  • David Wain and Ken Marion, Wanderlust

As a year draws to a close, it’s time for top ten lists! But even though we get literally dozens of hits per week, the studios for some reason don’t invite us to early screenings and we’re stuck buying tickets and renting DVDs like mere mortals. So we need more time to get through all the films and we’ll stick to our usual top five format for a few more months.

Not a ton of movement this month compared to November even though we’ve seen a lot of Oscar films.

John

1. Bernie
2. Looper
3. Headhunters
4. Hope Springs
5. The Queen of Versailles

Jared

1. The Dark Knight Rises
2. 21 Jump Street
3. Wanderlust
4. Argo
5. Flight

Brian

1. Lincoln
2. Argo
3. Beasts of the Southern Wild
4. Django Unchained
5. 21 Jump Street

January 2013
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