The Oscars are quickly approaching. Because we’ve spent the time to see the nominees and because we’re really smart, we’re telling you what should win in all the categories.

The nominees for Best Supporting Actor are:

  • Alan Arkin, Argo
  • Robert De Niro, Silver Linings Playbook
  • Philip Seymour Hoffman, The Master
  • Tommy Lee Jones, Lincoln
  • Chritoph Waltz, Django Unchained


Look, I think it is great that Robert De Niro wasn’t a parody of himself for the second time in two decades (I’m a strong believer in his performance in Stardust). I hope this is a sign he’s getting his groove back. But do we need to give the guy a nomination and maybe even an award for it? He’s got plenty. I understand mental illness is catnip for Oscar, but come on. He’s out-acted by every one of his co-stars in every scene he is in. De Niro’s nomination is one of those things that makes you wonder if the Academy really is qualified to be doing this.

I think it is great that the Academy sometimes finds space for the small roles in this category, and Alan Arkin turns in a fine performance. I personally don’t get the nomination, though, and read it more as a combination of the need to nominate someone from the cast and the irresistible temptation of the Hollywood producer character. Arkin approaches the character with zeal and zest, but I think the role is just too limited.

Tommy Lee Jones pretty much makes everything better. If I had to nitpick here, maybe I’d come up with something about how the character may be too broad, but really the only complaint I could have is that the character occasionally gets lost in the sea of characters the script needs to service. He’s on the bubble for my personal list.

The Master is a horrendous movie, so maybe I’m overcompensating here. But it is kind of astounding how smoothly Philip Seymour Hoffman slips into this mesmerizing persona. The role isn’t always showy, but instead provides a stark spotlight to highlight everything else in the film. I don’t think Amy Adams gets a nomination here without being able to play off of Hoffman. The thing is, while I don’t think the argument is as clear cut as the next guy, because I had to spend some time thinking about it, but I have Hoffman as a lead actor in this role. I’m willing to entertain discussion otherwise, but compare his role to that of Alan Arkin or Tommy Lee Jones.

Your choice pleases me. You will not be killed.

Your choice pleases me. You will not be killed.

My toughest decision in this group was whether to put Christoph Waltz first or last. He wouldn’t have been on my Supporting Actor ballot. Because he’s not a supporting actor. He’s quite clearly a lead actor, and I’d probably argue the main character of this film. And I can’t stand category fraud. But Harvey Weinstein is a genius and made it happen, so if I had a ballot I guess I’d have to go with Waltz. Honestly, I’d probably be transfixed by him reading a set of Ikea instructions. He’s just a perfect match for Tarantino’s dialogue, making every bit of the script count.

Should have been here: I would have gone with a completely different five, I think. Javier Bardem, Skyfall; Leonardo DiCaprio, Django Unchained, Samuel L. Jackson, Django Unchained; Matthew McConaughey, Magic Mike; Ezra Miller, The Perks of Being a Wallflower


Emma Stone and Seth MacFarlane noted while announcing the nominees in this category that all five men had won it once before. To them it was a joke, but I wonder how many rode their previous successes to a nomination this year.

I left the theater with little impression of Jones, De Niro, or Arkin. All are famous actors and all play characters with memorable lines or story arcs, but never once did I give their performances any special consideration. Arkin, in particular, seems to be taking advantage of his character’s funny quips. And while I agree it’s nice to see De Niro not phoning in a performance, the screaming-OCD-guy act wasn’t wowing me. Then there’s Jones. If he’s not playing a character with such sympathetic morals, does he get so much awards attention?

Another one under my spell

Another one under my spell

I am quite happy with the Waltz and Hoffman nominations, however. I love how Waltz can be so subtly creepy even while turning on the charm. My vote goes to Philip Seymour Hoffman. While I didn’t particularly care for The Master, his intensity is really something to behold. He’s a little crazy but I can see why his followers would feel attracted to him.