The Oscars are quickly approaching. Because we’ve spent the time to see the nominees and because we’re really smart (and I, at least, have impeccable taste), we’re telling you what should win in all the categories.

Best Actor in a Leading Role

The nominees are:

  • Bradley Cooper, Silver Linings Playbook
  • Daniel Day-Lewis, Lincoln
  • Hugh Jackman, Les Miserables
  • Joaquin Phoenix, The Master
  • Denzel WashingtonFlight

John

ddl2Yes, of course I’m going with Daniel Day-Lewis in this category. It’s one of those instantly classic performances that will be remembered for a long time.

But it’s still not an instant choice because there are two other really good nominees in this category. Phoenix is intense as hell, squirmy and angry. Washington turns in what I’d call a classic leading man performance. There’s not much in the way of showy acting in Flight but Washington totally carries the film with charisma to spare. He really nails his character’s charming yet dickish personality.

Cooper didn’t make much of an impression on me and I think Les Miserables actively sputters when Jackman is on screen. I know it’s a stylistic choice to give the singing a ragged quality, but Jackman’s gasping and over-emoting didn’t work for me and paled in comparison to his costars that took a more conventional approach to their singing. “Maybe the director should have worked harder to make sure his cast members took similar approaches to singing,” you might say. Yes. Yes he should have.

I would have dropped Cooper and Jackman for John Hawkes’s marvelous performance in The Sessions. I suspect the real Mark O’Brien would have felt very well-represented by the portrayal. Logan Lerman in The Perks of Being a Wallflower never really got the acclaim he deserved. Forget Cooper; Logan gives the mentally ill performance of the year! Finally, he may win in Supporting Actor, but Tommy Lee Jones really knocked my socks off in Hope Springs, pairing his trademark gruffness with a lot of vulnerability.

Jared

When I have Hugh Jackman in the cellar, you know it is a strong year for this category. I’ll probably never have a bad thing to say about Jackman (and I’m always reminded of SNL’s Best of Both Worlds sketch), I think he was a little bit let down by his director and the material here. The sing-talking was mostly distracting and a lot of the time he just didn’t seem to be in the same movie as everyone else. I think there’s a potential Les Miserables that would see me have Jackman as my favorite, but this wasn’t it.

phoenix poseIt is admittedly a little difficult to get past the sheer boredom induced by The Master. But I think Joaquin Phoenix helped create a very distinct character. I don’t know if this is going to sound insane or not, but I was most taken by a particular pose Phoenix struck throughout the movie. Hands on his waist, elbows out, almost chicken-like. It felt vaguely unnatural, but maybe since nothing else was going on in the movie, I noticed it over and over, and was impressed with how well Phoenix stuck with it (and other mannerisms) throughout the movie.

I say this as a very big fan of the guy, but doesn’t it seem like Bradley Cooper’s star power is outpacing the movies he’s starred in by a significant margin? He’s got The Hangover and its sequel, this one, and…what else? Limitless? You have to start counting He’s Just Not That Into You and Valentine’s Day, or, like The A-Team. Now, that’s not any sort of knock on his acting, a rewatch of Wet Hot American Summer and, say, The Midnight Meat Train will reveal a perhaps surprisingly impressive range. Anyway, to be more relevant here, this nomination is absolutely deserved. Cooper overcomes a subpar script and direction to deliver a refreshingly nuanced take on mental illness.

Flight is an underrated movie, and I think maybe as a result (along with the fact that there’s a clear front-runner in this category), Denzel Washington is getting lost in the shuffle a little bit. Which is ridiculous, because he’s Denzel. Like most actors, he’s more fun to watch when he’s playing someone who isn’t the ultimate do-gooder, and his character here is just fascinating. There’s a wide spectrum of ways of playing drunk, none of them necessarily wrong, but it is a lot more difficult to play a character going through an entire movie in an alcohol and narcotic infused haze of dependency. And Washington nails it.

ddl1I always love the stories of Daniel Day-Lewis so fully immersing himself into a character – texting like Lincoln, staying in character for the entire production and dearly hope the more ridiculous they are, the more true they are. To me, he’s a testament to what we can accomplish if we want something badly enough, including putting in the work. And for me, there’s not necessarily a value judgement there. His Lincoln is pitch perfect, of course. But when you think about what he sacrificed to prepare and stay in the character’s mindset, it is hard to say if it is was “worth” it.

At any rate, I think the world has pretty much acknowledged this race is and should be set, and everyone’s OK with that.

Should have been here: Along with Day-Lewis and Washignton, I have John Hawkes, The Sessions; Matthew McConaughey, Killer Joe, and Logan Lerman, The Perks of Being a Wallflower. With Cooper; Channing Tatum, Magic Mike; and Liam Neeson, The Grey on the outside.

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