The Oscars are quickly approaching. Because we’ve spent the time to see the nominees and because we’re really smart (and I, at least, have impeccable taste), we’re telling you what should win in all the categories.

Best Visual Effects

The nominees are:

  • The Hobbit: An Unexpected Journey
  • Life of Pi
  • Marvel’s The Avengers
  • Prometheus
  • Snow White and the Huntsman



I like seeing films with more of an artistic bent show up in this category. Superheroes and monsters are fun enough, but they feel pretty standard at this point. Something like The Hulk in The Avengers is a bit different, but it’s hard to beat the imagination and artistry of Life of Pi. The animals are truly fantastic, not to mention the storms, the shipwreck, and the more surreal scenes on the ocean. The effects are also absolutely vital to the film, which helps.

I actually didn’t particularly care for the effects in Snow White and the Huntsman, but the way they turned recognizable actors into dwarfs was pretty neat.

Best Makeup and Hairstyling

The nominees are:

  • Hitchcock
  • The Hobbit: An Unexpected Journey
  • Les Miserables


This category strikes me as a quantity vs quality argument. Hitchcock turns Anthony Hopkins into the Master of Suspense, plastering his face to fill out his jowls. It’s effective but also the only really notable makeup work in the film. On the other hand, The Hobbit and Les Miserables have no one makeup job nearly as impressive and important as Hitchcock, but instead spread the work out across a whole cast of made-up characters.

The Hobbit isn’t really breaking any new ground here, creating the same creatures they did back in the Lord of the Rings movies. But still, there are a variety of creatures with distinguishing features (think of elven ears). The variety of hair and beard styles among the traveling band of dwarfs was a nice touch that stood out to me.

lesmis_makeupI admit after watching Les Miserables I puzzled over its nomination in this category. Was it the period hairstyles? The grime spread across everyone’s faces? The dirty teeth? Probably all of the above, but diving deeper there are some showier makeup showcases, such as on the innkeepers and the prostitutes, not to mention aging the main characters. It has a theatrical effect, which I’m sure was the intent, and wins my vote, though I admit not caring all that much.

The Makeup branch declined to nominate two more ostentatious makeup showpieces in Looper and Cloud Atlas. I know some people found the work in these films to be a bit too distracting so their omission is understandable (and, truth be told, a few of the many ballsy makeup jobs in Cloud Atlas can look totally dreadful), but I would have enjoyed to see them here, even if just to get these two memorable films some Oscar love in at least one category.