I’m counting down all the movies released in 2012.  The ones I’ve seen, at any rate.  In what is unquestionably a timely manner.

#50.  Tonight You’re Mine

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He’s a famous rock star.  She’s the lead singer of a small-time female rock group.  They get handcuffed together at a rock festival, and hilarity (and maybe love?) ensues.  The premise is incredibly rom-commy, but the film’s direction is more indie rock documentary.  In my opinion, there’s way too much time spent on the festival and not enough on the story.  But it was taken at a real festival, with real artists (including the Proclaimers), which is interesting.

#49.  Bachelorette

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Had some very funny bits.  And was a lot darker than I was expecting.  It felt like the second of the film started to drag, and the characters weren’t developed as much as I might have liked.  If every movie had Lizzy Caplan and Adam Scott, I’m not sure that would be the worst thing in the world.  While this movie may not have been made (or at least the distribution it got) without The Hangover, I would hesitate to make too much of the comparison.  Sure, they both involve bachelor/bachelorette parties, are funny, but tonally, this one isn’t nearly as light.  Or ridiculous.

#48.  Total Recall

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The original is one of my favoritest movies ever.  So it is difficult to judge this one with referring back.  And also, if I’m being honest, it probably means I bumped this one up a few spots because I like the premise so much.  I’m not fundamentally opposed to remakes or anything, but I’m not sure this one had too much to add to the original.  I liked the expanded role of Kate Beckinsale’s character.  And setting the film on a future Earth divided into two Have and Have-Not sections was a pretty interesting take on the theme.  By the end, though, the film had devolved into pretty much every other blockbuster, with large, loud explosions for seemingly no good reason.

#47.  Sound of My Voice

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It feels like Brit Marling watched a lot of Twilight Zone growing up, and I’m OK with that.  The vaguely mystery/sci-fi aspect of them film were fairly engrossing, and I think they did a good job sticking the ending.  I am not certain I loved the cult around Maggie as the entry point into the story.  I mean, I can see why, but I found the cult itself the least interesting aspect of the film.

#46.  Tai Chi Zero

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I saw a number of reviews compare this film to a martial arts movie by way of Scott Pilgrim Vs. the World.  I’m not sure I agree with that, necessarily, but I would go into this one expecting a sense of humor and a more modern take on the kung fu movie.  Though not as goofy as a Stephen Chow film.  I also love that people decided both that we needed a steampunk kung fu movie and to market this one as such.  They weren’t wrong, of course, but it makes me happy.

#45.  Gimme the Loot

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One of my favorite Spirit Award nominees, the film is fun, funny, and charming.  It focuses on a pair of teenage graffiti artists, a guy and a girl, obsessed with becoming well-known and respected within the tagging community, hatching a plan to tag the apple at Citifield (at least, it was the Mets stadium, I can’t remember if they were talking about Shea or not, apologies).  That’s not really a great description, though, it is more a few days in the life of a couple of teens living in New York in the summer.  It is about graffiti, sure, but it is also about growing up and first love, and innocence.

#44.  The Cabin in the Woods

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A fascinating film, certainly getting points for originality and creativity.  Got a little strange toward the end, but that’s part of its charm.  The cast was a ton of fun on both sides of the ball, with Chris Hemsworth being able to lead anything, Kristin Connolly (who I just realized is in House of Cards), Bradley Whitford, Richard Jenkins, and Amy Acker.  I have a few thoughts on things I’d do differently, but I’m certainly not as qualified as Joss Whedon, so let me go in a different direction.  Why hasn’t this been made into a TV show yet?  Each season could be a different scary story, with a different set of beautiful and handsome fresh-faced actors and actresses to be killed off, but keeping the same cast of people downstairs working on the horror set up.  I see loads of possibilities.  The origin stories for the people downstairs could be worked in, we could do some time jumping to see how things worked across time.  I dunno, maybe it is just me, but I think it sounds like a winner.

43.  Seven Psychopaths

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Considering I had Martin McDonagh’s In Bruges near the top of my list along with his brother’s The Guard, I think this film’s placement has to be considered a huge disappointment, keeping in mind I started with crazy high expectations.  There were some funny moments, and the script could be clever at times.  But it didn’t seem nearly as clever as it thought it was, though it did get some points for originality.  And the actors are a ton of fun.  Although it is a little strange how little the women are in the movie, given their billing.

#42.  Man on a Ledge

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Granted, I’m a little bit of a sucker for heisty/prove my innocence films, but this one wasn’t half bad, if not particularly memorable.  The setup was pretty decent, I thought.  But I’m not sure they nailed the ending.  In that they way they “proved” Ed Harris did the crime or whatever wouldn’t really stand up in a court run by twelve year olds.

#41.  Compliance

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Ann Dowd’s Oscar story was quite compelling last year, I just wish her performance was a little bit better here (which probably actually means I wish her character had a little bit more screen time) to justify it all.  It has been kind of fascinating watching Dreama Walker go from The Good Wife to this to Don’t Trust the B.  Partially because she/her character were pretty awful in The Good Wife, so it seems like something in clicking in the more recent projects.  This film did make me think, so well done, film.  It is harrowing, actually.  The ending felt a little bit off, though.

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