I’m counting down all the movies released in 2012.  The ones I’ve seen, at any rate.  In what is unquestionably a timely manner.

#40.  Safe

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There’s something to be said for the consistent level of quality of Jason Statham films.  I don’t know even know what to compare this stretch of films to.  I mean, from The Transporter through Parker, I think I’d probably only rate Crank as a great movie, but pretty much all of them have been exactly what anyone would expect them to be.  And all of them are watchable.  Not sure Safe is particularly memorable or will ever be anyone’s favorite movie, but if you are in the mood for a Statham movie, you won’t be disappointed.

#39.  Fun Size

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I think it is just about impossible to talk about this movie without sounding like, or referring to, Brian, so I’m not going to try.  You know I typed that, and then pretty much anything I could think to type about Victoria Justice or Jane Levy sounded really really creepy.  So let’s just say that it takes all the suspension of disbelief I could muster to believe they weren’t part of the cool kids.  The movie is a pretty solid one crazy night movie, and the fact that it is geared toward the younger set doesn’t hurt it.  I think there probably was the chance to punch it up with more jokes, but I could also easily see that not being the fault of screenwriter Max Werner (or director Josh Schwartz) but instead a studio thing.  I don’t think it holds up out of context, but the Explaining Rap (remix) was one of the funnier things from a movie this year.

#38.  Take This Waltz

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I can see why this film isn’t for everyone.  Seth Rogen as a dramatic (or dramedic, really) lead takes some getting used to.  The movie is about the end of a…not dysfunctional relationship, but not well-functioning one.  It isn’t overly heavy on the drama or the comedy.  But it mostly works.  A lot of credit is due to Michelle Williams, sure, because she’s great like always.  The running gag about the shower is one of my favorite things from a movie this year.

#37.  The Grey

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I understand marketing this film as “Liam Neeson fights wolves.”  That’s certainly compelling, and pretty much got me to watch.  But it creates a misconception.  This movie isn’t Liam Neeson exacting revenge against all wolfkind for kidnapping his daughter.  Rather it is a deep, dark, philosophical musing on life and death.  Which was a pleasant surprise for me, but I could see some people being disappointed with the lack of wolfpunching.  This is a sneaky good movie.

#36.  Friends with Kids

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Written and directed by Jennifer Westfeldt, who is best known for Kissing Jessica Stein and for being with Jon Hamm.  Westfeldt also stars along with Adam Scott.  Ordinarily I’d say it is a little weird that Hamm has a supporting role in the film, but one gets the feeling that Jon Hamm maybe isn’t threatened by too many people.  Anyway, the film had plenty of charm, and a stellar cast which also includes Maya Rudolph, Chris O’Dowd, Megan Fox, and Edward Burns.

#35.  John Carter

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Taylor Kitsch is having the exact same luck in picking his movies that I’d expect Riggins to have.  The problems with the marketing have been well-documented, from the boring name to the massive reported budget to believing in a century-old property without any apparent built-in fanbase.  Thing is, if you can evaluate the movie on its own merits, it is pretty decent.  The major flaw is that the politics on Mars seems a little muddled, which drags down the plot.  But the movie is a lot of fun, with great visuals, solid acting (with a surprisingly deep supporting cast), and a generally interesting story.

#34.  Your Sister’s Sister

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A mumblecore movie I actually liked?  Having Emily Blunt and Rosemarie DeWitt as two of the leads certainly helped.  I can’t really figure out why this one clicked for me.  It basically had the plot of a romantic comedy, maybe that helped?

#33.  Goon

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The world needs more funny sports movies that have a lot of heart.  Seann William Scott acquits himself quite well as a super nice if slightly slow minor league hockey enforcer who isn’t so much good at the hockey part of the game, but can fight with the best of them.  The movie is chock full of funny bits with a surprisingly sweet center.  Co-writer Jay Baruchel seems to have a lot of fun with his supporting role, and Alison Pill is pretty great as the love interest.

#32.  Taken 2

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The thing about the recent spate of Luc Besson action flicks is that they are all seemingly pretty decent.  He’s spread himself across so many movies, and the audience for them is such that it would be understandable if some of the films suffered in quality.  But lo and behold, this movie is perfectly adequate.  Impressively, the writing crew manages to rehash the premise while still infusing some life into it.  The movie is self-recommending, I think.

#31.  Magic Mike

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I feel like I’m a little lower on this one than most people, but I’m not sure if that’s true or not.  Made a ton of money, and it kinda seems to me that every year people are surprised that a movie more aimed at women than men could rake in the dough.  I’m curious as to what Hollywood’s number-crunchers say, because it sure seems like no surprise lots of women go to movies.  At any rate, I thought the story probably could have used a little bit of work.  McConaughey was stellar, though it wasn’t the best role of the for year.  Actually, same goes for Channing Tatum.  We’ll get into this later, but I have to say, I have nothing but respect for Tatum.  His range is far wider than I might have thought.  And seems to really throw himself into roles, having a ton of fun in the process, which I think shows on screen.  Her small role here just adds to how Olivia Munn has been killing it recently.  I don’t know how to say this without it sounding like an insult, but I sorta think Alex Pettyfer has been slightly miscast in the four movies I’ve seen him in, though he’s been the best here.

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