You are currently browsing the category archive for the ‘The Iron Lady’ category.

The 84th Academy Awards is almost here! Leading up to the event, we’re going to put all the hours we spent watching these films to good use by giving our thoughts on all the categories, big and small. We may not be experts on everything, but I daresay that’s never stopped anyone from blogging before. On the (very remote chance) you disagree with us or the (much more likely chance) you want to applaud our picks, please chime in below.

Actress in a Leading Role

The nominees are:

  • Glenn Close, Albert Nobbs
  • Viola Davis, The Help
  • Rooney Mara, The Girl with the Dragon Tattoo
  • Meryl Streep, The Iron Lady
  • Michelle Williams, My Week with Marilyn

JOHN

This is a tough category this year. I think, by a hair, the best performance of the year came from Meryl Streep. Not only did she have to tackle playing a real person but at a variety of ages in different stages of mental decline. This film calls for her to dodder around in her senility and jabber with the ghost of her dead husband but she handles it well. I shudder to think how bad The Iron Lady would have been without such a good central performance.

But if I’m being honest I’m rooting for Viola Davis. She’s always awesome and maybe a win would land her some more sizable, and meatier, roles. Streep already has two Oscars and I don’t think she’d begrudge her pal Viola a win. If I have any complaint about Davis in The Help it’s that she painfully out-acts Emma Stone in too many of their shared scenes!

I didn’t like My Week With Marilyn and I wasn’t looking forward to seeing it, but hell if Michelle Williams isn’t very good in it. She does a good job channeling Marilyn Monroe, including her insecurities and playfulness. I suspect I enjoyed Glenn Close’s performance more than my colleagues. I’m not sure she would have made my list but she really sells the restraint and social ineptitude of her character. And while I’m fine with Rooney Mara, I wonder how much of it is that she gets to sport an accent and wear a bunch of leather. I can’t recall ever being particularly taken by her performance.

And if I had my druthers I’d stick Elizabeth Olsen in.

JARED

Oscar did well here.  It would have been hard for them to do poorly, but they’ve shown a certain capability for that.  I’ve now seen Rooney Mara in four movies (this one, Youth in RevoltThe Social Network, and The Winning Season) and I’m very much impressed with her mutability.  I’d love to see her in an action spy show like Alias, or, at least, what I’m assuming Alias was.  She’s good here, but given what the character did for Noomi Rapace, I wonder if the love here is actually for the role.

Albert Nobbs is a challenging portrayal to reward.  The character has devoted his or her life to staying in the background, inconspicuous.  So Close is all small, controlled mannerisms here.  I think it is a performance that needs to sit a little bit to really appreciate, to get how she played at being a man, not really sure of her place in society when not at work.

I may have Davis third, but she’s absolutely deserving of the statue.  I’m not really one for race debates, especially when it comes to Oscar, because then you end up with Crash.  All I want to say is that should Davis take home the trophy, regardless of what caused people to vote for or against her, she’s a fantastic actress who earned the award on merit.

Not like I have anything new to say about Meryl Streep.  Other than that I hope she’s in the sequel to RED.

It isn’t news that I’m in the tank for Michelle Williams.  I’m assuming something was planted in brain when I saw Dick in theaters, but my love more directly stems from The Station Agent and The Baxter.  Anyway, Michelle’s Marilyn is a heck of a performance.  To take such an iconic figure and breathe such life and nuance into it?  Man.  She did Marilyn when she was on, when she was drugged, when she was nervously trying to act.  She dominates the film and is such a joy to watch.

BRIAN

Rooney Mara

ADAM

Rooney Mara

The 84th Academy Awards is almost here! Leading up to the event, we’re going to put all the hours we spent watching these films to good use by giving our thoughts on all the categories, big and small. We may not be experts on everything, but I daresay that’s never stopped anyone from blogging before. On the (very remote chance) you disagree with us or the (much more likely chance) you want to applaud our picks, please chime in below.

Makeup

The nominees are:

  • Albert Nobbs, Martial Corneville, Lynn Johnston, and Matthew W. Mungle
  • Harry Potter and the Deathly Hallows Part 2, Nick Dudman, Amanda Knight and Lisa Tomblin
  • The Iron Lady, Mark Coulier and J. Roy Helland

BRIAN

The Iron Lady

JOHN

I like the mix here for Best Makeup. You’ve got some classic fantasy work, some classic period-spanning and aging work, and some classic identity-altering work. I have no qualms with any. I know Glenn Close doesn’t really look like a man in Albert Nobbs but she does look potentially masculine, which I think is a better effect than being caked under layers of makeup. Janet McTeer was a bit more convincing, particularly with that haircut.

The Iron Lady is my winner. It’s a good physical transformation, turning Meryl Streep into a recognizable figure without making the effect too eerie, which is what I think sank J Edgar in this category. She’s Margaret Thatcher-ish and Streep-ish, but you don’t find yourself thinking “That’s Meryl Streep dressed up as Thatcher and in weird old age makeup.” Speaking of which, the aging makeup is quite good. Referring back to J Edgar again, I liked the aging work on Leonardo DiCaprio but Armie Hammer and Naomi Watts ended up with weird, stiff faces, particularly around their mouths. This doesn’t happen in The Iron Lady. Finally, hairstyling is within the purview of this category and the film does a nice job of marking the passage of time by tweaking Thatcher’s hairstyle. I understand they had quite a wig collection on this film!

ADAM

Harry Potter and the Deathly Hallows Part 2

JARED

I don’t really have any criticisms here.  I think the people behind Albert Nobbs did a good job making Close and McTeer believable as men while not obscuring the fact that they were Glenn Close and Janet McTeer.  A whole lot of The Iron Lady focuses (inexplicably) on an old Margaret Thatcher.  The makeup team did a great job keep the audience in the moment by making Meryl Streep actually look like an elderly Margaret Thatcher.

But I’ll give the hardware to Harry Potter and the Deathly Hallows 2.  The team obviously did so much more, but I think making Ralph Fiennes virtually unrecognizable was really cool and extremely impressive.

May 2017
S M T W T F S
« Jan    
 123456
78910111213
14151617181920
21222324252627
28293031