You are currently browsing the tag archive for the ‘Michael Haneke’ tag.

The Oscars are quickly approaching. Because we’ve spent the time to see the nominees and because we’re really smart (and I, at least, have impeccable taste), we’re telling you what should win in all the categories.

The nominees are:

  • Michael Haneke, Amour
  • Benh Zeitlin, Beasts of the Southern Wild
  • Ang Lee, Life of Pi
  • Steven Spielberg, Lincoln
  • David O. Russell, Silver Linings Playbook

Jared

I don’t get what people see in David O. Russell’s direction. I feel like the whole world has gone crazy. I mean, it wasn’t as bad here as in The Fighter, but that’s the lowest of bars. To his credit, he presumably had some role in coaxing great performances out of Lawrence and Cooper, and one of the first non-mailed in one from De Niro in ages. So there’s that.

There’s lots of stuff going on in Beasts of the Southern Wild. And it is technically pretty impressive. So props to Benh Zeitlin for that, but when a ninety minute movie feels like it is twice that long, I’m going to dock the director, even taking the script into consideration.

I found Amour mostly forgettable. It wasn’t quite as terrible as I was expecting, so tip of the hat to Michael Haneke for that. The film started out pretty strong. Opening up on the audience shot was fascinating. And I thought the scene with the running faucet was very well-executed.

Life of Pi has some of the smallest scenes of Oscar contenders (much of the film takes place on a lifeboat, after all) but also some of the largest (the shipwreck, that crazy island). Ang Lee superbly executes this wide range of cinematic effort. When a book that many said was unfilmable ends up looking this great, you have to applaud the work of the director.

spielbergLost in all the hubbub surrounding the omissions in this category is the fact that Steven Spielberg turns in another fantastic effort. He wrangles a massive cast of supporting characters while still always highlight the main one, creating a riveting movie out of a Congressional vote. I’m going through a number of scenes in my head at the moment, and they are all differently memorable and nearly perfectly shot.

Should have been here: I’d keep Spielberg. Ben Affleck, Argo and Kathryn Bigelow, Zero Dark Thirty, obviously. And then I’d throw in Christopher Nolan, The Dark Knight Rises and Robert Zemeckis, Flight.

John

The more I think about Silver Linings Playbook the more I dislike it and it is Russell’s project through and through. The tone is especially off. Meanwhile, those who love Amour likely do so based heavily on Haneke’s direction. But I was underwhelmed for the same reason. For me, it’s just too sparse.

The other three movies have their directors’ fingerprints all over them. Isn’t the best adjective for Lincoln “Spielbergian?” Exquisite production elements, powerful John Williams score, and a lack of subtlety. Beasts of the Southern Wild and Life of Pi are more directors’ showcases. Zeitlin has such a neat vision for Beasts with the music, surrealism, and bayou shantytown grunge. It didn’t always work for me, but I love the vision and it probably doesn’t work at all without it. Indie film is full of gritty poverty realism and Zeitlin tries something with much more imagination.

LOP-485  Director Ang Lee on the set of Life of Pi.But Ang Lee is my winner. Life of Pi is all vision. Think of what goes into this film: spectacular visuals, spiritual and surreal elements, and long periods of time with one character alone at sea. This movie lives and dies on how it’s realized and Lee nails it.

Should have been here: Speaking of directorial showcases, how about Django Unchained? This is Tarantino through and through (and is also a better movie than all those that were nominated).

Advertisements

Hey, maybe I’ll be able to get these all in before nominations are announced.

VIRTUAL LOCK

  • Ben Affleck, Argo
  • Steven Spielberg, Lincoln
  • Kathryn Bigelow, Zero Dark Thirty

Yup, that’d be Ben Affleck adding a directing nomination to his resume.  Which reminds me, you should really read Boston Magazine’s oral history of Good Will Hunting.  Sure, Spielberg missed a BAFTA nom, but there’s no way he’s missing an Oscar nomination.  Apparently the government redacted screenings of Zero Dark Thirty, because it isn’t playing here yet.  Part of me hopes this movie tells the story of the part in Point Break where Keanu Reeves says he spent like a year tracking Patrick Swayze down.

GOOD BET

  • Ang Lee, Life of Pi

Turns out that Life of Pi is a movie people just plain like, and since it isn’t the script or the acting, it probably had a lot to do with Mr. Lee.

LIKELY IN

ON THE BUBBLE

  • Quentin Tarantino, Django Unchained
  • David O. Russell, Silver Linings Playbook
  • Tom Hooper, Les Miserables
  • Michael Haneke, Amour

This last spot caused me no end of grief when putting together my predictions.  It’ll be fascinating to see where the Academy comes down here, especially how it relates to other nominations for these films.  Tarantino gets credit for executing a unique vision and his endless homages.  But will his take down of slavery play as well as killing Nazis?  I’m decidedly not a David O. Russell fan and found his direction distracting.  Plenty of people disagree with me.  We’ve been over Tom Hooper and his atrocious choices in Les Miserables, and I say that as a fan of both The King’s Speech and The Damned United.  Reaction has been sharply divided, but many respect his bold decisions.  Haneke has a devoted fanbase among the Oscar crowd, maybe they’ll lead to enough #1s to push him through.

DARK HORSES

  • Paul Thomas Anderson, The Master
  • Wes Anderson, Moonrise Kingdom
  • Robert Zemeckis, Flight
  • Sam Mendes, Skyfall
  • Benh Zeitlin, Beasts of the Southern Wild

PTA also has his crew, but when everyone is talking about the dying buzz for your film, you have a problem.  Wes Anderson is another director who brings his specific vision to the screen, but he hasn’t hit the precursors.  Zemeckis hasn’t hit precursors either, but with a name familiar to Oscar in a triumphant return to live action, and that killer crash sequence, you could seem him sneaking in.  I’m personally not predicting a massive haul for Skyfall, but if it resonated wildly for voters, then maybe they are crediting Mendes.  Zeitlin seems like too much of an indie vote for Oscar, especially with the Andersons around to divert votes, but maybe the film’s earlier release date can work in its favor.

SHOULD HAVE BEEN CONSIDERED

  • Christopher Nolan, The Dark Knight Rises

Oscar nominations are out on the 10th!  I’m taking a look at the state of the race in the eight major categories.  This time: Original Screenplay.

VIRTUAL LOCK

GOOD BET

  • Wes Anderson and Roman Coppola, Moonrise Kingdom
  • Mark Boal, Zero Dark Thirty

Many are hailing Moonrise Kingdom as Wes Anderson’s finest work, that combined with a pretty decent box office seems to suggest he could get in here, a category in which Oscar has seen fit to recognize quirkier fare.  Zero Dark Thirty isn’t out here yet, so I can’t speak to it, but by most accounts it will be a deserving nominee.

LIKELY IN

  • Paul Thomas Anderson, The Master

Buzz has been waning, but the field here doesn’t have many scripts dominating the conversation.  I haven’t seen the movie yet, but it sounds like a film where the screenplay is memorable.

ON THE BUBBLE

  • John Gatins, Flight
  • Michael Haneke, Amour
  • Rian Johnson, Looper
  • Quentin Tarantino, Django Unchained

The WGA nod signals that there’s support for Flight, the question may be how many people remember to credit the script for the mesmerizing crash scene and Denzel’s performance.  Amour isn’t out here yet, but from afar seems like the stereotypical arthouse movie: foreign, not widely screened, boring as all get out.  Here’s hoping that last part isn’t true.  Now isn’t the place to discuss, but a Looper nomination wouldn’t make me very happy.  Still, it got the WGA nom, and Rian Johnson does have a distinctive voice.  It is pretty difficult to predict with any accuracy how many nominations Django Unchained will get, but if the Academy is feeling the love, Tarantino could get in here for a script that’s certainly distinctive.

DARK HORSES

  • Reid Carolin, Magic Mike
  • Ava DuVernay, Middle of Nowhere
  • Martin McDonagh, Seven Psychopaths

Carolin’s script feels pedestrian to me, but he’s got 100 million good reasons to call me an idiot.  If the voters are feeling indie, they could go with DuVernay, whose film many people say deserves a wider exposure.  I heart McDonagh, and his script was unique, but this one missed more than it should have.

SHOULD HAVE BEEN CONSIDERED

  • Max Landis, Chronicle
  • Seth MacFarlane, Alec Sulkin, and Wellesley Wild, Ted
  • David Wain and Ken Marion, Wanderlust
November 2017
S M T W T F S
« Jan    
 1234
567891011
12131415161718
19202122232425
2627282930