You are currently browsing the tag archive for the ‘Michael Mann’ tag.

The Oscar races are continuing to shake out and I think we generally know who is in the ballpark for the major awards at this point. This sort of winnowing happens every year for better or for worse. It can be helpful to know that some of your favorites have no shot so as to avoid the frustration on nomination morning. Or it can keep hopes alive so that they are cruelly crushed (see: Dark Knight). And it can be a joy to watch as time goes on and your favorite longshot still holds on (see: Richard Jenkins).

A couple developments in the Best Actor race seem notable to me.

The first is that Johnny Depp in Public Enemies has completely fallen off the map. Thank goodness. The film is one of my biggest disappointments of the year. I’ll never know how such a stylish film based on such an interesting character with an interesting life could be so dull. I never thought I’d care so little about seeing the back of Depp’s head blown off. In all it’s not a bad film, but I forgot about it about 30 minutes after leaving the theater.

Not to disparage Depp, but if he was still in the running at this point it would only be on name value alone. And when that happens it drives me nuts. (Of course when I expect the hype to be based on the name and the performance really does deliver it’s always wonderful; see: Meryl Streep in Julie & Julia.)

Completely countering my joy of not having to discuss an underwhelming Michael Mann film here is how ignored The Informant! has become. Matt Damon should be a lock for a nomination and on the inside track for the win. Instead all you hear about him is a possible Supporting nod for Invictus. What a shame. Thank goodness for the Golden Globes (the first/only time I’ll ever say that?) for giving him some proper recognition.

There’s no film from 2009 I’m more excited to see again than The Informant! and it doesn’t even appear to have a DVD release date yet. Steven Soderbergh saw a tale of corporate price collusion, somehow thought it’d make a great zany comedy, and then totally nailed the necessary timing and tone. Quite an accomplishment and, to me, the underachieving box office disappointment of the year.

At this point Damon probably has to fade in the Supporting Actor race and over take either Jeremy Renner or (hopefully!) Morgan Freeman to make it to Oscar night. Needless to say that looks unlikely. At least a Best Score nomination for Marvin Hamlisch seems probable at this point so at least one major piece of this remarkable work could get recognized.

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