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The Grouches are Independent Spirit Awards voters this year. That is, combined we are ONE voter under Jared’s name. It costs like $90, you think each of us are going to pony that up?
Besides, merging our four formidable minds into one blob of consensus allows us to devise a complex voting system that makes us to compete for our individual opinions to be heard.
Essentially we each earned points by seeing all films nominated in a category. We can allocate those points to any category so we can – and do! – waste whole bunches of points to ensure our favorites win. For a few categories only one of us saw all the nominees and that person got to choose the winner.
We gathered online the other night to reveal our votes.
BEST FIRST FEATURE
The nominees:
- Everything Strange and New, about a man who feels trapped in his life by his wife and kids
- Get Low, following a hermit who decides to throw his own funeral party while he is still alive
- The Last Exorcism, a “documentary” following a reverend who wants to show the sham of exorcisms
- Night Catches Us, a drama set in the aftermath of a betrayal in the Philadelphia Black Panther community
- Tiny Furniture, a semi-autobiographical film about a woman who returns home from college unsure what to do with her life.
WINNER: Get Low
John: My sole vote goes to Get Low, which shouldn’t be a big surprise. I’ll be interested to see what you all think about it should you see it. I don’t know if this is another one of those movies I love and everyone hates or not. It’s amusing and heartfelt. Robert Duvall and Bill Murray are great.
Brian: I look forward to seeing that movie and once again wondering if we saw the same film, like Green Zone.
Jared: I saw all the other films in that category, and I don’t think it is going to take too much for me to agree with you on this choice
John: If these directors are the future of movies, are you looking forward to the future?
Brian: Having been rather meh on Tiny Furniture, I’m still looking forward to Lena Dunham’s future. I think she has talent — I’d like to see what she can do when it’s not starring her family.
Jared: Adam and I saw Dunham’s actual first feature. I think she needs to break free from biographical stuff before she really can find her voice. I think working with Apatow could do wonders for her
John: I agree, Tiny Furniture was okay but I’ll probably check out her future work. The Last Exorcism is a pretty straight horror flick but it very effectively got under my skin. If they do some non-horror stuff I’d be interested. Night Catches Us was a very nice period piece. And Everything Strange and New… what would you say about that, Jared?
Jared: I watched that film last night and while I didn’t like it, I think I’m going to rate it higher than you did. That said, I can’t really imagine watching another film from the director. At some point, you just can’t substitute voiceover for actual plot.
John: It’s boring and exasperating. And highlights a common theme of the Independent Spirits this year: Moping.
Brian: This year? Isn’t that sort of the point of independent films?
John: It does take some bizarre turns at the end which are interesting, but also sort of awful and ridiculous. It also has plenty of sad clowns. For real!
Jared: Of the group, I’d probably say the people behind Night Catches Us have the most potential…with some refining and a little less reliance on those archival clips, I think they could really make some interesting films
John: And I feel like The Last Exorcism doesn’t get a great rep in the horror genre. I think I liked it just because it got to me, but I hardly ever watch horror.
Jared: It seemed like standard fare to me
BEST SUPPORTING FEMALE
The nominees:
- Ashley Bell, The Last Exorcist
- Dale Dickey, Winter’s Bone
- Allison Janney, Life During Wartime
- Daphne Rubin-Vega, Jack Goes Boating
- Naomi Watts, Mother and Child
WINNER: Dale Dickey (13 points – 8 from Jared, 5 from John)
Jared: Well, sadly, we wasted a lot of points here
John: I considered that you might not give points to anyone else, but I wanted to make sure she had enough in case you for some reason chose Naomi Watts
Jared: Not going to lie, my strategy wasn’t all that different. I was surprised to see Watts here, considering her character is virtually emotionless.
John: I also considered tossing a few to Ashley Bell just in case. Watts could also be considered lead.
Jared: Yeah, Ashley Bell was my runner-up, but again, I don’t think she added anything new to the horror genre. I wouldn’t consider Watts lead, personally.
John: Bell is appropriately creepy as a possessed girl. But this category was more or less a Dickey win by default. She’s good; I might have seen her as an Oscar nominee. But the rest really didn’t do much for me. Dale Dickey is quite memorable. I don’t want to tarnish her work here. But there wasn’t much competition.
Jared: A good summation, I think. I found her just as memorable as John Hawkes and found it unfortunate she couldn’t get much awards traction.
John: To be fair to Allison Janney, what do you do with that material? So, who else could be here? Cyrus is up the Independent Spirit wheelhouse, but no nomination for Marisa Tomei?? That movie flat out fails without her.
Brian: that was rather surprising
Jared: Where was Mila Kunis? I also liked Julianna Margulies in City Island and Rebecca Hall in Please Give
Brian: yes! Mila Kunis of course
Adam: Mila Kunis is ALWAYS a good decision
BEST CINEMATOGRAPHY
- Black Swan
- Greenberg
- Never Let Me Go
- Tiny Furniture
- Winter’s Bone
WINNER: Black Swan (4 points – John)
Other votes: Winter’s Bone (3 points – 2 from Jared, 1 from Brian)
Never Let Me Go (2 points – Brian)
Brian: Booooo. Really, John? Explain yourself.
Adam: Agreed. As usual, John makes a HORRIBLE decision. I am starting to think John doesn’t actually watch the same movies as everyone else.
John: Black Swan gets so much energy from the camerawork!
Brian: The dance was horribly shot because Natalie Portman had to use a body double
Adam: Moving the camera around a lot does not equate to “energy”
John: It puts the viewer into the descent into madness! I also considered Winter’s Bone. What was special about Never Let Me Go?
Brian: Since no one else voted for it, I’ll give some dap to Never Let Me Go. As we discussed last fall, it had a lot of flaws, but the bleak cinematography really gave us a sense of place and added the dystopian feel of the English countryside. Cinematography was easily the best part of that film and the most memorable.
John: Is that cinematography or a combination of set decoration and pretty scenery?
Brian: I believe reading at the time that they used specific filters
Adam: Is the camera work in Black Swan due to cinematography or editing?
Brian: Or directing?
John: All of the above.
BEST SUPPORTING MALE
- Bill Murray, Get Low
- John Hawkes, Winter’s Bone
- Samuel L. Jackson, Mother and Child
- John Ortiz, Jack Goes Boating
- Mark Ruffalo, The Kids Are All Right
WINNER: Bill Murray
John: My sole vote goes to Bill Murray
Brian: Shocker. How close were Hawkes and Ruffalo?
John: I really like Murray here. He plays something of a sleazeball funeral home owner and is appropriately funny and smarmy, but also hits the serious notes just right. If this was a competitive category, I might have tossed some points to Hawkes to cover my bases. I really liked him. And I dug Ruffalo as well. So a good top three in that category.
Jared: I also saw four of these films. I think we can agree that Samuel L. Jackson has no business being here, and Jack Goes Boating was so unwatchable, it is hard to tell if John Ortiz was any good. I slightly favor Ruffalo over Hawkes this year, but you can’t go wrong with either, so Murray must have been really great.
John: The movie just connected with me, and the movie is all on Duvall and Murray
Brian: Hawkes really took over the second half of Winter’s Bone — and took care of much of the boredom of the first half.
John: Any snubs stand out here? Since Jackson is such a nothing nom?
Brian: Oliver Platt for Please Give? I could buy it
Jared: Vincent Cassel (Black Swan)
John: True. Strange that Please Give got a casting award but no other acting nominations. Also, Vincent Cassel is a good choice.
Jared: I got the John seal of approval! I also liked Michael Shannon in The Runaways for supporting male.
BEST SCREENPLAY
- The Kids Are All Right
- Life During Wartime
- Please Give
- Rabbit Hole
- Winter’s Bone
WINNER: Please Give (10 points – 5 from Jared, 5 from Brian)
Other votes: Winter’s Bone (4 points – John)
Brian: wooot
John: I kept knocking down points on this one, figuring that my votes would go for naught here
Brian: I knew Jared and my combined points would get us over. I just didnt know how low to go.
Jared: Game theory!
John: I found Please Give pretty bland
Jared: That might be because you don’t have a sense of humor.
Adam: Or taste in movies
John: Good performances. The casting award was probably a good choice.
Brian: For me, it was an exceptional character study. I like ships passing in the night films, and Please Give was no exception to that rule. And for some reason or other, I’m a sucker for old people dying films.
Jared: I found the script to be witty and populated with interesting characters, plus a plot that kept my attention.
Adam: hmm…Jared thought the script was good. The one thing in a movie he actually pays attention to. I feel it is probably a better than even chance I’d at least appreciate the movie
John: Parts of it I liked and some of the characters/relationships. But then it ended and I was like, “shrug.” It may be that we spend so much time with Catherine Keener when she wasn’t interesting and everyone else was.
Brian: Take that back!
Jared: You need a good straight man to highlight the quirks of other people. I don’t think it is supposed to reveal any hidden mysteries of mankind.
Brian: John, what did you like about Winter’s Bone screenplay because I found that to be one of its weaker points.
John: I liked the plot, setting, and characters in Winter’s Bone. They’re all understated, but all compelling. But this also got my votes since nothing else in the category did much for me. Winter’s Bone is a pretty plot-driven movie. It has a lot more of a story than Please Give. I considered Rabbit Hole too, but that script is uneven. I loved certain parts to it and disliked others.
Jared: Rabbit Hole has a surprisingly strong script. It wasn’t great, to be sure, but it was definitely compelling in a way that many other adaptations of plays are not.
John: Like, the whole relationship between Nicole Kidman and the boy felt weird and forced to me. But some of their conversations are terrific.
Brian: I think that was sort of the point
John: For a movie that seemed to try to be quite realist, that relationship felt too cinematic. Like a thing that would only happen that way in movies. Though I felt similarly about a lot of the over-arching plot threads. Not so great at a macro level, but many great individual scenes
Brian: I liked how we were introduced to the boy in that we didn’t really know who he was or why Kidman was stalking him until about 10-15 mins after we met him. The pay-off worked. And the scene with Dianne Wiest and Nicole Kidman was the best of them all. I probably would have voted for it had it not been for Please Give
John: I really liked the scene that gives Rabbit Hole its name
Jared: Same here.
John: Also the scene in the boy’s bedroom. I could list many. But put them all together and it’s like, “another scene where Nicole Kidman says something socially awkward??”
Jared: We can’t move on before discussing Life During Wartime!
Brian: Hahahahaha. Oh man, I really really wish Adam had seen this
John: Absolutely atrocious movie. And the writing is the worst part!
Jared: I will give it credit for its consistency…granted, it is consistently unbearable, but still
Adam: I feel like I have seen enough horrible movies because of you all
Brian: I’ve blocked out most of LDW, but anyone want to reminisce their favorite worst parts?
John: I think Life During Wartime was not as awful as Greenberg because at least LDW had a WTF element that makes you wonder what the hell could possibly happen next. Also: MOPE! MOPEY MOPE MOPE
Jared: haha
John: (plus molestation and suicide)
Jared: and sexual harassment
Brian: and Pee-Wee Herman coming back from the dead!
John: I’m not sure there’s any part I didn’t dislike
Coming up later: the lead actor, director, and best picture categories!
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