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Earlier this week I was talking with Adam about why Doubt didn’t do much for me.  Not that I’m intelligible to begin with, but I made a complete hash of my thoughts.  Which sorta trashed my plans to just copy the conversation into here.  Instant post, just add water.  So my new plan is to ramble for awhile and see what happens.  I can’t see any flaws.

I don’t think it is presumptuous to suggest “doubt” the concept, is supposed to be an integral part of Doubt the movie.  Did Philip Seymour Hoffman’s priest character engage in inappropriate relations with a student?  Meryl Streep as the head nun sure seems pretty positive he did, with scant evidence to back it up.  Amy Adams’s naive nun teeters back and forth on the fence.  And the child’s mother, as played by Viola Davis, prefers not to think about anything which could derail her son from getting through the next few months.  So, fine, we have different levels of doubt, and the impact it has on decision-making.

But my fundamental problem with the film is a lack of development, a failure to communicate the so what.  Fairly early on it becomes clear where each character stands, save for the one bit at the end I won’t spoil, but is too little too late.  Really, it seems like the script started out as a two minute sketch, where Adams says, “I don’t know if he did or didn’t do it.”  Then Streep says, “Oh, I know he did it.”  Adams replies, “How do you know?” and Streep answers, “I just do.”  Then Hoffman says, “This is ridiculous, why are you doing this.”  Rinse and repeat.

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