You are currently browsing the tag archive for the ‘Sam Rockwell’ tag.

Oscar nominees are announced on the 25th.  Yay!  So let’s summarize what we (the royal we, at least) know.  Keeping in mind, of course, that when it comes to the Academy, no one knows anything.  Especially me.  This time: Best Supporting Actor.

VIRTUAL LOCKS

  • Christian Bale, The Fighter
  • Geoffrey Rush, The King’s Speech

These two have been nominated in pretty much all Oscar precursors and split winning them.  Both have gobs of screen time; it is fairly easy to imagine their respective movies undergoing relatively minor rewrites to portray each as the main character.  Bale plays a loose cannon crack addict who can’t let go of the past, constantly reliving past fights, which is getting in the way of training his brother.  His performance is all kinds of showy, especially contrasted with Mark Wahlberg’s patented stoicism.  Rush, as a speech therapist tasked with helping a future king, is tasked with a more subtle role, playing mentor, friend, inferior to Colin Firth’s regal stutterer.

LIKELY IN

  • Andrew Garfield, The Social Network
  • Jeremy Renner, The Town
  • Mark Ruffalo, The Kids Are All Right

The Academy has tendency to shower films it likes with lots and lots of nominations, so if it has caught the lovefest bug for The Social Network, we could hear Andrew Garfield’s name called.  He co-starred this year in the mostly-ignored Never Let Me Go and will be donning Peter Parker’s spiderduds in the upcoming Spiderman reboot.  Garfield’s character in the Facebook movie served an interesting and perhaps necessary counterpoint to the increasingly powerdrunk Zuckerberg.  The Town raked in a ton of dough and is generally well-liked, for reasons I can’t quite understand.  It boasts a strong ensemble, but awards buzz has focused on Jeremy Renner, nominated last year for The Hurt Locker.  Renner’s character doesn’t necessarily add anything new to the sidekick who is always looking for an edge even (or especially) when bending the rules.  Think Worm from Rounders, only from Boston.  But Renner is clearly quite talented.  In The Kids Are All Right, Mark Ruffalo plays a laid-back restaurateur who finds out that a sperm donation from nearly two decades ago has yielded two kids.  The idea isn’t novel to me, but I believe Ruffalo’s talent appears so natural that his work isn’t appreciated nearly as much as it should be.

FIRST ALTERNATE

  • Matt Damon, True Grit

I haven’t seen the film yet, so I won’t comment on Damon’s role or performance.  Buzz has been waning some, but count out at a respected, well-liked guy in a critical and commercial success at your own peril.

DARK HORSES

  • John Hawkes, Winter’s Bone
  • Michael Douglas, Wall Street: Money Never Sleeps
  • Sam Rockwell, Conviction
  • Justin Timberlake, The Social Network
  • Armie Hammer, The Social Network

In a just world, Hawkes would see a nomination here, he truly turned in great stuff.  I just saw Wall Street 2 on the plane to Vegas, and while the movie was nothing special, Douglas does have an Oscar scene or two, and is a beloved industry veteran who was just in the news for kicking cancer.  I don’t think anyone saw Conviction, including yours truly, but Sam Rockwell is supposed to be very good.  Since the inevitable backlash for The Social Network hasn’t hit yet, you can’t count out Timberlake or Hammer, especially since they both have memorable scenes and lines.

SHOULDA BEEN A CONTENDER

  • Michael Shannon, The Runaways
  • Tom Hardy, Inception
  • Vincent Cassel, Black Swan
Advertisements

Going into this year’s Oscar season, if I had to pick one contender I least wanted to see, I’d imagine it would have been Frost/Nixon in a runaway.  Because going into the movie, I’d probably have called screenwriter Peter Morgan a hack.  I felt like I’d given the man a fair deal, having seen The Last King of Scotland, The Queen, and The Other Boleyn Girl (Morgan co-wrote the first and has sole credit on the latter two).  The Last King of Scotland was a somewhat tolerable movie.  I know some people liked or even loved The Queen, but they happen to be exceedingly wrong.  And as I may have mentioned before, I think Morgan must possess some sort of unholy power if he can turn a movie starring Natalie Portman and Scarlett Johansson into a clunker of a snoozefest.

With that on the table, I found I actually kinda sorta liked Frost/Nixon.  Not in the top of the charts sense, more in that it is probably in the top quarter or so of movies I’ve watched this year.  Maybe it was because Morgan first wrote it as a play, but I think what worked was the dynamic between interviewer Frost (Michael Sheen) and Nixon (Frank Langella).  Everything else, perhaps, falls fairly flat, so it is fortunate the movie spends a good chunk of time (though not nearly enough) on the battle between the two men.

Nixon certainly views it as a competition.  He looks forward to engaging Frost in a duel of wits.  And as the interview progresses, he gloats over how he is ahead on points.  Indeed, it may have been Brian who called it one of the best sports movies of the year.  And it certainly has most of the trappings of a sports movie.  Scrappy underdog with his small band of supporters who no one believes in up against an overconfident, yet intelligent foe with a sniveling henchman  in a title bout that looks all but lost until the very end.  Sure, the hero gets the hot chick a little early and we may have been lacking a montage, but otherwise we are pretty much there.

To Morgan’s credit, he clearly tries to add texture and depth to characters and situations, where subtlety is not necessarily a desired trait in a sports flick.  Nixon, for example, is not the typical villain.  I’d argue he’s portrayed in a rather sympathetic light.  Sure, he may get a little cocky at times, and he makes the inevitable fatal slip-up, but as a sharp-witted old man, he never comes across as malicious.  The only two characters to actively loathe him are awed when they meet the former President in person.  But again, most interesting is how Frost views him.  For most of the movie, Frost doesn’t view Nixon as an antagonist, really.  Frost seems to think Nixon is a curosity, but he’s only ever gets even slightly intimidated by Nixon on the eve of their final interview.

Frost is the weaker of the two main characters.  I think it is because for the first chunk of the movie Nixon isn’t his opponent.  Instead, he’s fighting the more vague battle to first get the interview, and then get financing and a network to air the show.  Which isn’t terribly interesting, because it isn’t detailed very well and we aren’t given very much of a chance to see its impact on Frost.  It is only when he finally turns to focus on Nixon that the potential of the movie starts to shine through.

Read the rest of this entry »

August 2019
S M T W T F S
« Jan    
 123
45678910
11121314151617
18192021222324
25262728293031
Advertisements