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It is easy to criticize the Academy for its choices. Like any organization, they are going to make unpopular decisions. And as with any vote, the most deserving person or film isn’t guaranteed victory in the least. But part of the genesis of this project is the idea that it isn’t fair to ridicule a winner without seeing all of the other nominees. So, we watched all the nominees. Quixotic? Maybe. Fun? Almost always. Here’s what we thought of the Best Director category:

JOHN

Well, the directing nominees completely overlap the Best Picture so it seems a little hard to separate the best directed from the best picture overall. I guess I’m looking for overall concept, tone, pacing, etc… But I guess most of my in depth comments should be saved for the Best Picture discussion.

I’ve said it before but I had some big problems with Stephen Daldry’s The Reader that I couldn’t get around. Ron Howard’s Frost/Nixon has a fun tone but it helped detract from making me, well, care. I enjoyed David Fincher’s Benjamin Button and he does a good job steering a sprawling story filled with special effects. I don’t think it achieves the depth it strives for, but it’s quite an interesting story.

But now for the best. Slumdog Millionaire may well be described as director’s movie. Fairly straightforward and simple plot, shallow characters, and some less than stellar acting are turned into something magnificent in Danny Boyle’s hands. He has a great vision for the film that comes through in the photography, editing, scene composition, and music. I liked Milk better than Slumdog and therefore feel the need to choose Gus Van Sant, but Boyle’s vision made it tough.

Van Sant is my choice. He helms a film that says a lot in just the right tone without preaching and with this subject matter that’s a tough job. The opening montage is worth the price of admission by itself and sets the stage perfectly. The film has an incredible sense of time and place so that it’s part an exploration of the gay experience in 1970s as well as a look at Harvey Milk’s life. Maybe it’s not hard to do so when working with the likes of Sean Penn, Josh Brolin, and James Franco but he elicits great work from his actors. And the interesting creative choice to mix in archival footage works perfectly when I never expected it to.

Snubs: I’m beating the same drums here again and again. Christopher Nolan for The Dark Knight and Darren Aronofsky for The Wrestler. Both brilliant with interesting and engaging styles.

BRIAN

Director: Danny Boyle. Whatever.

JARED

I really don’t have any confidence in my ability to determine what effect a director had on a movie, so it seems silly to say anything about the nominees or snubs.  Instead, here’s some other stuff directed by the nominees:

David Fincher – music videos for “Freedom ’90” (George Michael), “Straight Up” (Paula Abdul), “Vogue” (Madonna), “Janie’s Got A Gun” (Aerosmith), and, of course Sting’s “Englishman In New York” and an incredible array of other awesome 80’s musicians (Eddie Money, The Outfield, Rick Springfield, Foreigner, The Motels, Loverboy, Mark Knopfler).

Ron Howard –  Night Shift, Willow

Gus Van Sant – the Psycho remake, music videos for Deee-Lite, Candlebox, “Under the Bridge” (Red Hot Chili Peppers), “Fame ’90” (David Bowie).  And, of course, “Weird” (Hanson).

Stephen Daldry – BORING

Danny Boyle – 28 Days Later

ADAM

Will Win: Danny Boyle

    Danny Boyle stole the front-runner position from David Fincher when he began winning all of the non-Oscar awards.  Between the two of them, Boyle’s film and directing is the clear winner.

I Want to Win: Christopher Nolan

    As with Best Picture, I realize that Christopher Nolan was not nominated, but in my opinion there was no movie better directed this year.  It is a travesty that he was excluded and my opinion of the Academy has reached an all time low (no small feat).

Dark Horse: Gus Van Sant

    Van Sant is the sleeper in this category and could very well steal Boyle’s limelight.  However, it is a long shot at best.  Should he receive the award, at least it will be well deserved.  He missed out with Good Will Hunting, but Milk is a film he can be proud of.

Random Notes:

    It is distressing to me that Ron Howard was able to beat out Christopher Nolan for this nomination.  Frost/Nixon was a decent movie, but it was no where near the caliber of The Dark Knight.  Nolan’s handling of the film shows that his is one of the preeminent directors today.
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